A few of them are really very nice, though, each is good, but I really like a couple of them a lot! I have a custom essay review to do and a few of the designs could be used with it as well. Indeed it is nice that you have put together all of them.
Revolutionary video editing using the new Magnetic Timeline 2. Powerful media organization that uses automatic metadata and custom keywords to find clips. Incredible performance that takes full advantage of the new MacBook Pro. Post just became even more productive. Revolutionary Video Editing Built for the future of video post, Final Cut Pro transforms the timeline to break free from the constraints of traditional track-based editing. A beautiful and dynamic editing interface lets you experiment freely while working with extraordinary speed and precision. Magnetic Timeline 2 Now more than ever, everything just falls into place. Assemble shots with ease as clips âmagneticallyâ close up to eliminate unwanted gaps in the timeline. Similarly, clips move out of the way to avoid clip collisions and sync problems. Automatic color coding makes it easy to identify different types of audio â such as dialogue, music, and effects. And powerful controls in the Timeline Index let you instantly customize the look of your timeline and focus on specific kinds of audio as you edit. Multichannel Audio Editing Look deeper into audio â right in the timeline. A simple keystroke lets you expand any audio file in place so you can view its separate components. Easily enable or disable entire channels, select ranges to adjust timing and volume, and use the embedded audio fade handles to quickly smooth transitions. For a complete view of your audio file, access the Inspector, where you can rename and hide individual channels. And if youâre working with Multicam Clips, you can switch between and combine multiple audio sources with a click. Multicam Final Cut Pro offers the industryâs most advanced multicam editing. The 64-bit engine allows you to work natively and in real time with a variety of formats, frame sizes, and frame rates. Create a Multicam Clip by automatically syncing up to 64 angles of video using audio waveforms, or choose custom sync options to precisely align footage or photos based on time of day, timecode, or markers. To adjust a Multicam Clip, double-click to open it in the Angle Editor timeline, which lets you move, sync, trim, add effects, or color grade individual source clips. When itâs time to cut, simply drop the Multicam Clip into your project and click in the customizable Angle Viewer. Or use keyboard shortcuts to seamlessly switch between video and audio on the fly. You can even combine audio channels from multiple cameras with just a click. Clip Connections Clip Connections keep related clips together. They make it easy to place items such as B-roll, sound effects, and music in the timeline so they all move as one. Or, if you prefer, simply press a modifier key to break the connections between clips and move them independently. Clear visual connections make it easy to hand off a project to another editor or resume editing at a later date. Compound Clips Cut through timeline clutter with Compound Clips. Theyâre automatically saved back to the library, making it easy to reuse them in other projects â for example, when designing a unique sound effect with layered audio. And Compound Clips work just like Multicam Clips, so any changes you make instantly ripple across the same Compound Clip in all of your projects. Auditions With the unique Auditions feature, itâs easy to try out shots and find the perfect one. You can collect multiple alternative clips at a single location in the timeline and quickly cycle through them in context. Test different B-roll shots, different reads of the same lines, or different effects. As you swap shots, the Magnetic Timeline 2 keeps everything in sync. You can even use Auditions to create multiple versions of your project for different deliverables and venues. 3D Titles Make studio-quality titles in just a few clicks. Choose from simple animated 3D templates or use cinematic templates with built-in backgrounds to create stunning looks with ease. Customize with hundreds of materials, realistic lighting options, and text styles. And instantly open any title in Motion for total control.* Color Grading and Masks Use the Color Correction effect to quickly grade your image, with the ability to simultaneously view up to four separate video scopes. You can also apply shape, color, and custom draw masks to target color grading and other effects to specific areas of the frame. And save any effect as a preset to easily reuse later. Advanced Chroma Keying In addition to using the high-quality, one-step chroma key in Final Cut Pro, you can access advanced keying controls for color sampling, edge adjustment, and light wrap. Tackle complex keying challenges without exporting to a motion graphics application. And play back results instantly and in context to make critical editing decisions. Balance Color All color grading begins with color balancing. After your footage has been analyzed in the background, you can improve the look of any clip in the browser or timeline with a click. The Balance Color feature uses sophisticated algorithms that increase contrast and remove color casts while making skin tones appear more natural. Streamlined Share The customizable Share interface makes it fast and easy to deliver high-quality files from Final Cut Pro. Choose from export presets optimized for a wide range of destinations, including iPhone, iPad, Apple TV, and the web. Or use Compressor to easily create custom settings that you can access directly in Final Cut Pro or send to another editor. Itâs easy to export projects, clips, or ranges; add chapter markers to your timeline; and even create custom bundles to deliver the same media to multiple destinations in a single step. Final Cut Pro uses the power of the GPU to accelerate exports in the background, so you can continue editing. When youâre editing with ProRes media, you can quickly create a QuickTime movie or make an MXF OP1a master with multitrack audio. Because ProRes file exports use rendered effects files without having to re-render, the output is as fast as copying a file. Powerful Media Organization Todayâs video editor deals with more formats and footage than ever before. Final Cut Pro helps you handle it all with ease, offering a streamlined import interface and powerful, metadata-driven ways to organize your media. http://www.apple.com/final-cut-pro/what-is/
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